BEIRUT (Reuters) – As a child, Riham would wake up at night to her half-brother molesting her. Now she is one of seven women recounting their suffering in a play about sexual violence in Lebanon.
An actor performs during immersive theatre performance about sexual violence in Beirut, Lebanon November 22, 2018. REUTERS/Jamal Saidi
Recordings of the women’s voices ring out as the audience moves from room to room in a house in Beirut. Women’s rights group ABAAD put on the play entitled “Shame on who?” this weekend.
In one room, a girl in white tries to stand up but keeps falling. In another, a woman talks to her mother but gets no response.
“I chose the idea of a house because most of these incidents happen from someone very close to the (victims),” said Sahar Assaf, who conceived and directed the play.
“Supposedly, the safest place for a woman should be her house.”
Riham, 35, recalls how she told her mother that her half-brother had abused her for 20 years since she was eight. “She said that I was a liar and that I should never speak of such a thing.”
ABAAD head Ghida Anani said the play sought to empower survivors and encourage victims to report assaults.
The audience relives Ward’s story from the husband’s perspective as an actor paces in a bedroom.
“We got married…but she started getting bothered because I used to like sleeping with her by force. from behind,” he says.
“Once I gave her sleeping pills and tied her up…She couldn’t do anything.”
Lebanon passed a long-awaited law in 2014 against domestic violence. But rights groups were outraged that authorities watered it down so much it fell short of criminalizing marital rape. Child marriage also remains legal.
The United Nations says a third of women worldwide have suffered sexual or physical violence.
A 2017 national ABAAD study found that one in four women have been raped in Lebanon. Less than a quarter of those who faced sexual assault reported it, the survey said.
“I felt that he was an animal eating my flesh,” Hoda, whose neighbor raped her at 14, recalls in a recording in the play.
“If I could turn back time the first thing I would do is go to a forensic physician to get evidence,” she says. “I would refuse to be the victim. He would pay for what he did.”
Reporting by Maria Semerdjian and Imad Creidi; Editing by Raissa Kasolowsky